WRITING
Interviews
ERIKA HARRSCH HAS ALWAYS BEEN POLITICAL
ROSE B. SIMPSON'S ANTIDOTE TO POSTCOLONIAL STRESS DISORDER
CAROLINE MONNET'S INDIGENOUS WORLD BUILDING
ALAN MICHELSON'S PLACE-KEEPING ART
HOW GARY SIMMONS EMBRACES THE IN-BETWEEN
[HYPERALLERGIC][
POTENT FORMS: TYRRELL TAPAHA
[NATIVE AMERICAN ART MAGAZINE]
EXPLOSIVE ABSURDITY
[NATIVE AMERICAN ART MAGAZINE]
RAVEN HALFMOON'S MONUMENTS TO MOTHERS
[HYPERALLERGIC]
JAUNE QUICK-TO-SEE SMITH ON HER LIFE'S JOURNEY IN ART
[HYPERALLERGIC]
BOBBY WILSON COMBATS INDIGENOUS STEREOTYPES THROUGH HUMOR
[HYPERALLERGIC]
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SKY HOPINKA IS TIRED OF EXPLAINING EVERYTHING TO NON-NATIVES
PHILLIP K. SMITH III SHOWS HIS TRUE COLORS
NAZAFARIN LOTFI DREAMS UP A BORDERLESS FUTURE
[HYPERALLERGIC]
ARCHITECTED FUTURES AND REIMAGINED PASTS
[HYPERALLERGIC]
CARA ROMERO STANDS DEFIANT AGAINST INSTITUTIONAL CATEGORIZATION
TYRRELL TAPAHA'S FRESH APPROACH TO PICTORIAL NAVAJO TEXTILES
[HYPERALLERGIC]
WHY MARK di SUVERO CHOSE PUBLIC ART
DEAR LISTENER: WORKS BY NICHOLAS GALANIN
[EARTHSONG, HEARD MUSEUM]
ARTIST NICK CAVE PUTS RACISM ON DISPLAY
ALA EBTEKAR'S COSMIC LOVE FOR SAN FRANCISCO
NICHOLAS GALANIN IS A PART OF A GENERATION THAT IS REDEFINING "NATIVE"
reviews
HIGHLIGHTS FROM THE SANTA FE INDIAN MARKET
SHINING A LIGHT ON FIRST CALIFORNIA ARTISTS
[HYPERALLERGIC]
[
DEBORAH ROBERT'S ELEGY FOR LOST INNOSENCE
TWO NATIVE ARTISTS WANT TO RECLAIM THEIR LANDSCAPES AND TEXTILES
HIGHLIGHTS FROM A BUSY WEEKEND AT THE SANTA FE INDIAN MARKET
MARIE WATT INVITES YOU TO HUG A JINGLE CLOUD
[HYPERALLERGIC]
LANGUAGE IN TIMES OF MISCOMMUNICATION AT SMOCA ISSUES A CALL THAT ASKS FOR A RESPONSE
IN OUR TIME: SMoCA SHOWS WORKS BY CONTEMPORARY BLACK ARTISTS FROM THE SINGER COLLECTION
[SOUTHWEST CONTEMPORARY]
ONE CITY IS MAKING ITS WATERFRONT INTERACTIVE
[HYPERALLERGIC]
INDIGENOUS DESIGNERS REBUFF MAINSTREAM FASHION INDUSTRY TRENDS
[SOUTHWEST CONTEMPORARY]
REVIEW: PATRICK DEAN HUBBELL: TACK ROOM CHALLENGES REPRESENTATIONS OF INDIGENOUS PEOPLES
[SOUTHWEST CONTEMPORARY]
THE HITS AND MISSES OF SANTA FE'S MUCH-ANTICIPATED SITE BIENNIAL
ARTISTS EXPLORE INDIGENITY THROUGH PRINTMAKING
CROSS CULTURAL AND INDIGENOUS THEMES DOMINATE SITE SANTA FE'S BIENNIAL
A CHEROKEE FASHION DESIGNER WHO MIXED NATIVE MODERNISM WITH MIDCENTURY TRENDS
A NATIVE AMERICAN ARTIST WHO PAINTED POP AND CHALLENGED THE STATUS QUO
RECORDING THE STORIES OF MARGINALIZED STUDENTS
EXPLORING THE AESTHETICS OF SOUND
QUEERING THE FEMININE THROUGH A MANY LAYERED LENS
NATIVE AMERICANS ENVISION A SUBLIME APOCALYPSE
[HYPERALLERGIC]
GLIMPSES OF A PASTORAL DYSTOPIA
TRADITIONAL CRAFT MEETS CONFLICT IN AFGHAN WAR RUGS
THE TEDDY BEARS AND SODA CANS OF CLARE GRAHAM
CELEBRATING SUPERCUTE: HELLO KITTY GETS A A RETROSPECTIVE
A TRADITIONAL NATIVE PRACTICE, GIVEN MODERN FORM
AT SITE SANTA FE, LANDSCAPES UNSETTLED AND IN MOTION
THE LIFE AND DEATH OF AN EXHIBITION
REVISITING STEVE MCQUEEN'S EARLY WORK
A FIRST LOOK AT THE NEW SITE SANTA FE BIENNALE
FEELINGS THE CURRENT IN SANTA FE
PACE GALLERY PLUGS INTO SILICON VALLEY
JIM HODGES AND THE DENIM SUBLIME
THE INS AND OUTS OF CONTEMPORARY MEXICAN ART, IN TEXAS
WALK INTO A PAINTING'S COLORSCAPE
AN IMPERFECT EXHIBITION OF A NEAR-PERFECT DIRECTOR, STANLEY KUBRICK
essays/opinion
ARTISTS DECRY 'CENSORSHIP' OF SHEPARD FAIREY ANTI-POLIC ARTWORK
[HYPERALLERGIC]
[H
SOME IMPORTANT QUESTIONS ABOUT ARTIST LEGACIES
[HYPERALLERGIC]
FASHION IS CONTEMPORARY ART: INDIGENOUS DESIGNERS HOLDING SPACE
[NATIVE ART MAGAZINE]
CAPTURED MEANINGS
MARIA HUPFIELD: NINE YEARS TOWARDS THE SUN
WHY MEOW WOLF COMING TO PHOENIX IS WORRISOME
ARTISTS JOIN THE FIGHT TO PROTECT STANDING ROCK
CATHERINE OPIE'S INTIMATE PHOTOGRAPHS OF S&M
THE PERKS AND PROBLEMS OF SANTA FE'S INDIAN MARKET
SILICON VALLEY GETS AN ART FAIR
WHAT IS JAMES TURRELL DOING IN A LAS VEGAS LOUIS VUITTON STORE?
HIGH ART MEETS HAUTE COUTURE IN LAS VEGAS
AWESOME ART IN A MALL? REALLY?
features/articles
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PHYSICAL/DIGITAL: REPRESENTATIONS OF THE BODY
AN EXHIBITION LARGER THAN MEMORY
ARTIST IN PROFILE: RAVEN CHACON